An author needs to meet a subject on its own terms to find the right tone for the story being told. For example,

“Battlefield” has been around for over two decades. Still, even its most diehard fans would probably argue that it’s been a bit of

There’s something comforting about a well-done workplace comedy. It’s the relatability of people sanded down by capitalism, forced to go into cubicles or

Collectors of physical media need to get their hands on Criterion’s box set of the year, a beautiful collection of the first ten

My final dispatch from the annual genre fest known as Fantastic Fest highlights three young filmmakers, a reminder of how much this event

One of the best things about Fantastic Fest is the programming team’s willingness to import hits from other festivals. It’s actually the fest

Apple TV+’s hit “Slow Horses,” based on the novels by Mick Herron, has become one of the streaming service’s most beloved shows for

A handy portal to all of our coverage from this year’s Toronto International Film Festival, organized by critic. BRIAN TALLERICO FULL REVIEWS: “Ballad

Sophy Romvari’s “Blue Heron” has been one of the breakout critical darlings of the fest circuit, premiering at Locarno to raves before traveling

Interesting leading men and women dominate this unusual dispatch, one that gathers films that have almost nothing in common on paper, itself a