Perhaps unsurprisingly for a group that self-selects for gothy wallflowers, “horror people” tend to have a bit of a persecution complex. As such,

I’ve seen the original “Godzilla” three times in theaters. Most films benefit from being seen on a big screen, and “Godzilla” especially so:

The reason “Strange Darling” gets a marginal pass is that the film seems to truly believe that its subversions are empowering. Its intentions—and

What happens when you take DIY auteurs and put them on a professional movie set? That was what happened when Toby Poser and

That’s a type of intimacy. So is the relationship between Ben and his childhood friend Lizzie (Jessie Pinnick), who don’t see each other

“Do Not Expect…” culminates in a masterfully executed sequence that distills the film’s themes into a single, unbroken shot—ostensibly the raw footage from

Cannes darling Matteo Garrone (“Gomorrah“) turns his best intentions towards following two Senegalese immigrants on the dangerous trip across Africa and into Italy.

Throughout Conann’s multiple incarnations, one character stays consistent. Rainer (Elina Löwensohn)—a tribute to Fassbinder? Wouldn’t be surprising—is a perverse dog-faced oracle in a

“Perpetrator” “Perpetrator” is a singular work from an utterly singular filmmaker. Jennifer Reeder’s visionary films take place in a deadpan dimension populated with

Isolated and out of place, Benny finds companionship in the form of his cousin Dawn (Charley Hogan), whom everyone calls Frybread Face because