We’re headed back to Park City this week to bring you reviews of what’s premiering at the 2025 Sundance Film Festival. Last year’s coverage saw our first takes on “I Saw the TV Glow,” “Ghostlight,” “A Real Pain,” “Love Lies Bleeding,” “Thelma,” and many more of the best films of 2024. What will those be

David Lynch saw my dreams. As a teenager growing up in suburban America in the ‘80s, “Blue Velvet” and “Twin Peaks” hit like a bolt of lightning. Not only did they capture something about the sinister, surreal underbelly of life under the picket fences, but they said something directly to anyone who thought they could

Editor’s note: To give you a chance to get to know our writers better, we’ve asked them to respond to some questions. Here’s Zachary Lee. Read his work here. 1. Where did you grow up, and what was it like? I was born in Whittier, California before moving to the suburb of Wheaton when I was

An epic saga of assimilation, architecture, and the artist’s struggle to endure, Brady Corbet’s “The Brutalist” tells the story of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who escapes postwar Europe by emigrating to the United States, where he labors to rebuild his life, career, and marriage to wife Erzsébet (Felicity Jones). Eventually settling

Death and desire collide with seductive, shivering power in Robert Eggers’ “Nosferatu,” a grandly Gothic reinterpretation of F.W. Murnau’s silent-film classic that channels the dark, psychosexual energies at the core of vampire mythology into a haunting tale of obsession.  Steeped in the shadows of its lineage—not only the German Expressionist original but also Bram Stoker’s

Director Peter Berg‘s works alternate between wholesome American stories and completely unhinged jingoism. Over the past decade, the latter side has come out in films like “Lone Survivor,” “Patriots Day,” and even “Mile 22,” depicting marginalized groups or non-Americans as savages and manipulating viewer affection by killing “noble” heroes. For Berg, it’s America first, and

It’s a bit disconcerting to see the “new kid” of Cook County General Hospital on the massive hit “ER” become the grizzled veteran of a similar medical drama three decades later, but that’s where we’re at with the very good “The Pitt,” a show that reminds one of the simple charms of well-done procedural television.

The Hollywood Foreign Press Association handed out their Golden Globe Awards on Sunday, January 5th, and Brady Corbet’s “The Brutalist” and Jacques Audiard’s “Emilia Pérez” were the big winners, taking home the two Best Picture awards for drama and musical/comedy. Acting winners included Adrien Brody for “The Brutalist,” Sebastian Stan for “A Different Man,” Fernanda

A beachside gathering for artists and industry folks to mingle in a casual environment, this year the Spirit Awards Nominee Brunch turned into a uniquely contemplative celebration. In addition to honoring the people behind some of the most accomplished films and episodic series of the last year, the event was an opportunity to remember Josh

Few things are as common yet as earth-shattering as love and death. Maura Delpero’s “Vermiglio” explores these core human experiences in all their thorny complexities. In this remote Italian village in the alps, where time seems suspended in air, they intermingle with human life as seamlessly as the townsfolk blend into the vastness of the