Buy it here  Special FeaturesNone Now streaming on: “Breathless” (Criterion) I recently discussed the “gateway” films for young viewers to discover the most influential filmmakers of all time. What’s the first Hitchcock you show someone? The first Scorsese? The first Varda? I think the first Godard might be “Breathless” (or maybe “Band of Outsiders”) as

Co-written by Kargman and William Day Frank, “Susie Searches” starts strong but loses its way after our heroine solves her biggest case yet: the disappearance of local campus heartthrob Jesse Wilcox (Alex Wolff), a meditation YouTube star whose good looks and kind words make him a favorite of just about everyone he meets. Before the

Thankfully, co-writer/director Rodrigo Sorogoyen’s focus on Antoine and Xan’s emotionally charged stalemate keeps “The Beasts” from devolving into yet another quasi-artful and pseudo-moral genre movie that pits intolerant bumpkins against ignorant city-slickers. Mood trumps morality in “The Beasts,” partly because Sorogoyen, in collaboration with director of photography Alejandro de Pablo, art director Jose Tirado, and

The real draw of a new season of “Futurama” is the return of beloved characters and the performers who voice them. Billy West, Katey Sagal, John DiMaggio, Phil LaMarr, and Lauren Tom are back. And not only does the voice work feel entirely of a piece with where the show was at in the 2000s

It takes time for “While We Watched” to find momentum: Shukla’s vérité approach spends the first half hour or so notating the broad problem. What follows is a series of blaring clips of blustering Indian anchors vying for the public’s attention by offering up polarizing red meat. For them, that amounts to denouncing any dissenter

With “Fear the Night,” LaBute clearly aims to push viewers’ buttons, especially using the oft-repeated threat of sexual violence. Some dramatic irony mildly re-casts the movie’s otherwise formulaic conflict in a harsher light, but not much gets complicated by this extra knowledge, especially not LaBute’s tin-eared dialogue nor his indifferent direction. In theory, Tess and

AR: I think the best comedy is born out of reality, and there is a lot of reality in the movie in the sense that everyone has had a really, really bad night. This might be the worst night that you ever had, but it was never played for comedy. It was played for realism

Remi’s feelings about making a zombie movie are quickly sublimated into the process of making a zombie movie. He paces up and down naturally lit hallways and staircases, either fills in or delegates last-minute problem-solving, and generally tries to keep everybody happy. He especially wants to please his wife and daughter Romy (Simone Hazanavicius, the

They end up at a small, rustic inn. Happy wherever she is, Magalie dances joyfully on the patio (and on a tabletop), where the other guests are having dinner. In a very sweet moment, as Blandine watches, she sees Magalie not as she is now but as she was when they were friends, imagining dancing

From there, we meet the couple who are the story’s focus. They have left their young children in the States, and we slowly realize their marriage has collapsed. The idea of a failing couple in peril far from home is intriguing—it makes one imagine a hybrid of Ingmar Bergman and “Deliverance.” But the script fails