Ryuichi Sakamoto | Opus movie review (2024)
“Ryuichi Sakamoto: Opus” is an hour and forty minutes of just that: Sakamoto playing. There is no introduction. There are no interviews. Sakamoto
“Ryuichi Sakamoto: Opus” is an hour and forty minutes of just that: Sakamoto playing. There is no introduction. There are no interviews. Sakamoto
The movie begins around a campfire, and there are stories being told there. We’re in the company of a nomadic clan, with its
He gets a call telling him he can have a particularly well-paying fare, one that will take him across Paris and back—he’s instructed
In this case, familiarity will not necessarily breed contempt so much as pleasure, and a lot of that has to do with, yup,
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Except for a brief section when the filmmaker asks the viewers to remove the phones—the headphone version is definitely one that veers into
We learn that he’s a vinyl guy who’s starting a family with Justice’s Annie without the benefit of clergy. This is brought up so