As disorienting as it is delightful, Matthew Rankin’s “Universal Language” takes its avant-garde filmmaker’s irreverent approach to history—previously on display in “The Twentieth

An epic saga of assimilation, architecture, and the artist’s struggle to endure, Brady Corbet’s “The Brutalist” tells the story of László Tóth (Adrien

Death and desire collide with seductive, shivering power in Robert Eggers’ “Nosferatu,” a grandly Gothic reinterpretation of F.W. Murnau’s silent-film classic that channels

Across the two features she’s made to date, Payal Kapadia has emerged as a luminous new voice in Indian cinema, exploring the personal

Presented in the New York Film Festival’s Currents section, a complement to the main-slate selection that traces “a more complete picture of contemporary

A ferociously satisfying update of “First Blood” with a rustic Southern setting, “Rebel Ridge” furthers writer-director Jeremy Saulnier’s pattern of trapping his protagonists

As the founder of Glass Eye Pix, writer-director Larry Fessenden has spent nearly four decades carving out a fiercely independent niche in American

Set against the steadily revving engines and propulsive forward motion of the French motocross scene, Antoine Chevrollier’s feature debut “Block Pass” is a

Away from the pandemonium of the Croisette and the festival’s main competition, Cannes’ Un Certain Regard section offers a consistently diverting showcase for

Still, “birth/rebirth” is in no way an adaptation of the novel. I haven’t seen a faithful adaptation of the novel yet. With a