The Possibility of Forgiveness: Reed Van Dyk, Boyd Holbrook, Hiam Abbass, and Kenneth Branagh on “Atonement”
From the opening moments of director Reed Van Dyk’s “Atonement,” the film subverts tropes and expands what war films (and their harrowing aftermath) can be. Shot on a warm, 16mm film by cinematographer Jon Peter, the film opens with a family in Iraq going about their quotidian rhythms for an extended period of time before
