Alex Garland’s worlds, even those in the more fantastical realms of “Ex Machina,” “Dredd,” and “Annihilation,” find as many ways as possible to sell their fantasies within a realm of muted, grounded realism. And so it goes that his latest project, “Warfare,” takes that zeal for verisimilitude to its grandest degree yet: Recreating a real

I find it challenging to review “found footage” documentaries where the primary focus is on the footage itself. You watch it. It makes sense that someone would release the footage into the world. You make sense of it in the context of our world today. And you think, “Wow. Nothing’s changed in our world,” or

Anyone who has played the games on which HBO’s “The Last of Us” is based knows that things are about to get intense. Without spoiling a single thing, the video game “The Last of Us, Part II” turns up the volume on the first game’s themes of individual responsibility set against the greater good with

When Microsoft acquired developer Compulsion Games in 2018, all eyes were on the studio to see what it could deliver at the release of its last game, “We Happy Few.” Compulsion Games had something special and intriguing with the game’s narrative premise, set in a dystopia where everyone took drugs to stay happy. However, the

Apple TV+’s new series “Your Friends and Neighbors” opens with the image of its protagonist, Andrew Cooper (Jon Hamm), laid out in a pool of blood. It’s not his own, though: it belongs to the body of an unknown man, whose corpse Cooper walked in on when he was attempting to steal from his house.

CHAMPAIGN, IL (April 1, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the final three films screening at this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign: Francis Ford Coppola’s MEGALOPOLIS Walter Salles’ Academy Award®-winning I’M STILL HERE Lotte Reiniger’s THE ADVENTURES OF PRINCE ACHMED  Coppola will participate

The untempered version of world events right now: Things are not getting better. There’s no opposition coming, there’s no reckoning on the way, there is no stopping the free fall. And art is not going to save us. I don’t have much use for the untempered version, even if, on my worst days, I believe it. So,

I’ll admit to entering “MobLand” with some hesitation. Paramount+ has wasted no time becoming the hub for what could be called “Dad TV,” mostly by Taylor Sheridan, but not exclusively, and I haven’t been the biggest fan of most of it. It’s really an extension of the fact that network partner CBS has had the

Set in a future world where no one ages, there are no animals and precious few plants, Fleur Fortuné’s dystopian sci-fi drama “The Assessment” follows isolated scientists Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) as they endure an arduous, week-long, and ultimately absurd government-mandated test, led by the wildly unpredictable assessor Virginia (Alicia Vikander), designed

Here’s how you know you’re having a bad night: Your boss dies under questionable circumstances during a State Dinner at the White House, and everyone around you is certifiably out of their minds. The President and his family: unhinged. The President’s unelected advisor: vain and shady. The staff: suspicious. The Australian contingent, including rumors of