“Zola,” “Anora,” and the DEI Mirage | Features
Watching the 2025 Oscars was supremely irritating for a variety of reasons, but what aggravated me the most wasn’t the random James Bond tribute or even the Best Original song winner (although that comes close)—it was the Academy’s embrace of “Anora,” a dramedy about a stripper who has a whirlwind, doomed romance with a Russian
