Movie Reviews
Movie Reviews

Hard Places: Max Walker-Silverman on “Rebuilding” | Interviews

In “Rebuilding,” a Colorado cowboy sifts through the ashes of the life that once sustained him, struggling to find a way forward after wildfires take his family farm.  In U.S. theaters Nov. 14 (with a national rollout to follow) via Bleecker Street, this elegiac story of one rancher’s journey through an environmentally devastated American West

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Movie Reviews

Adaptation is About Subtraction: James Vanderbilt on “Nuremberg” | Interviews

After World War II, US Supreme Court Justice Robert H. Jackson led an effort to create judicial proceedings to try the leaders of the Nazi military and government, coordinating the effort with representatives from the other Allied forces, France, the United Kingdom, and the Soviet Union. The charge was “crimes against humanity.” It was unprecedented

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Movie Reviews

A Preview of the 2025 Black Harvest Film Festival | Festivals & Awards

With the fall chill in the air and the holidays on the horizon, Black Harvest Film Festival is set to return to the Gene Siskel Film Center, Nov 7-16. The festival, programmed by Jada-Amina and Nick Leffel, boasts an eclectic and vibrant array of Black stories whose diasporic origins and bold ingenuity provide cinematic warmth

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Movie Reviews

“Pokemon: Legends Z-A” is Several Steps Forward, Several Steps Back | Video Games

The Pokemon series has been in need of serious evolution recently. 2022’s “Pokemon Legends: Arceus” switched up the traditional Pokemon RPG formula by introducing real-time combat elements, a semi-open world, and a new way of story progression. It was a breath of fresh air for the franchise that had a stagnating turn-based battle system. Whereas

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Movie Reviews

Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend | Features

At all of its previous stops—Austin, Toronto, Los Angeles, New York—the Criterion Mobile Closet has attracted throngs of cinephiles hoping to pick their favorite films and shoot their very own closet videos. Its latest appearance at the 61st Chicago International Film Festival drew similar crowds during a short October (11-13) weekend stay that also witnessed

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Movie Reviews

The Real Monsters: How True Crime Has Shaped the Horror TV Genre | Features

“If the devil’s alive, he lived here.” — Quote in the Chicago Tribune, attributed to a worker who was involved in the demolition of John Wayne Gacy’s house. While working as a news columnist in the 1990s, I had one of the most macabre experiences of my life when I was granted access to the

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Movie Reviews

CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves | Festivals & Awards

One of the more popular sections of the Chicago International Film Festival each year is the After Dark sidebar, a collection of films from around the world that are just a bit different from the usual fest fare—something a little stranger and wilder and containing plenty of sex, violence, and straight-up weirdness to appeal to

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Movie Reviews

CIFF 2025: The Beauty of the Donkey, The Eyes of Ghana, Below the Clouds | Festivals & Awards

Documentary is a filmmaking approach inherently designed for remembrance. In fact, it’s the approach that most closely aligns with photography and the desire to capture a moment, a person, or a thing before the forces of time overcome and erase its existence. So, you know, usually with these films, you’re going to get a topic

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Movie Reviews

CIFF 2025: Silent Friend, Calle Malaga, Belén  | Festivals & Awards

The 61st edition of the Chicago International Film Festival has boasted an unusually strong lineup of high-quality titles from around the world, including such significant works as “The Secret Agent,” “The Mastermind,” and “It Was Just an Accident.” However, if I had to pick just one favorite, I would have to go with “Silent Friend.”

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Movie Reviews

11 Times That D’Angelo Made a Movie Better with his Music | Tributes

Like so many contemporary R&B fans, I was gutted when it was reported that Michael Eugene Archer, better known as groundbreaking neo-soul artist D’Angelo, passed away on Tuesday at the too-damn-young age of 51, after a long, private battle with pancreatic cancer. The man was an elusive enigma, only dropping three studio albums–Brown Sugar (1995),

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