Living in 2257, Caleb (Isaiah Russell-Bailey) is in mourning. His father (Kid Cudi) recently died on the job, leaving him an orphan in the lunar mining colony they call home. Because his parents are dead, he is granted the opportunity to travel to the paradisal planet Omega, a 75-year journey that’ll require him to be

The writer and director, former stuntman Jesse V. Johnson (“Avengement”), throws audiences into the middle of action. There’s a bank robbery out in a patch of Texas territory monitored by Texas Ranger Alex Tyree (Jane) that was spearheaded by a former IRA member named Declan McBride (Dean Jagger). Alex is in the process of arresting

A tender and compassionate debut feature by writer/directors Mark Slutsky and Sarah Watts, the latter of whom grew up gay in a Jehovah’s Witness community, “You Can Live Forever” lets the romantic tension between its protagonists build slowly and naturally, in stolen glances and small touches. As Jaime and Marike circle each other, at once

The original series took it as understood that there was complete diversity, and everybody was fine with that. And I love the way that this series opens up that conversation. And that scene that you have with the Queen is one of my favorites. Tell me what making that issue explicit does for this series.

FRIDAY, MAY 5th 7PM: “BLACKBERRY” (includes Q&A with star/writer/director Matt Johnson) Johnson paces “Blackberry” like that rocket. It moves quickly without being overly stylized, clicking through dialogue and character instead of cheap tricks. We’ve seen a lot of movies about tech nostalgia lately (the far-inferior “Tetris” premiered across town at the same fest), but Johnson

The story begins with Wendy Darling (Ever Anderson) leading her younger brother John (Joshua Pickering) and kid brother Michael (Jacobi June) in a play session that includes swashbuckling sword fights, followed by a couple of nice moments between the children and their parents (Molly Parker and Alan Tudyk). Soon enough, Peter Pan (Alexander Molony) makes his entrance

When the film opens, Matthias (Marin Grigore) is working in a German slaughterhouse. While out on a smoke break, he is called a “lazy gypsy” by a co-worker, who he quickly headbutts to the ground. The sudden violence says a lot about Matthias’ instincts, but it will also have interesting reflections later in the film

Except for a brief section when the filmmaker asks the viewers to remove the phones—the headphone version is definitely one that veers into an audience participation mode—that’s how we hear the movie. I’m surprised that Lou Reed is never mentioned in the work—in the 1970s, he was a real proselytizer for this binaural recording method.

A lush, exotic resort, a gaggle of blinkered white tourists, and a dead body in the middle: You’d be forgiven for seeing the parallels between “The White Lotus” and Hulu’s latest limited series, “Saint X.”  Based on the acclaimed 2020 novel by Alexis Schaitkin, “Saint X,” on paper, subverts the typical patterns of this kind

The latest in the series, “Evil Dead Rise,” comes from Irish writer/director Lee Cronin, whose 2019 feature debut “The Hole in the Ground” also revolves around sinkholes and mommy issues. Cronin’s grimy sensibility is much closer to that of remake director Fede Alvarez than Raimi’s live-action cartoons. But he does share one key thing with