Movie Reviews
Movie Reviews

One Final Look: Terence Stamp (1938-2025) | Tributes

“A lot of ‘em are gone…the old faces,” Terence Stamp’s Wilson says flatly an hour into Steven Soderbergh’s exquisite neo-noir “The Limey,” with a twinge of sadness he doesn’t allow himself to let breathe. Wilson has come from England after a nine-year stretch for petty crime. An escape followed by an escape. Stamp knew what

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Movie Reviews

Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion” | Festivals & Awards

Memory is a funny thing. It can form and unwind us, ground and unmoor us. It can also trick us, probably because it’s so aligned with the fluidity of time. In this latest Locarno dispatch, there are three films that consider the effect of time and memory as a creative tool, a language, and a

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Movie Reviews

“Mafia: The Old Country” is One of 2025’s Most Cinematic Games | Video Games

Video games and film/TV have long had a symbiotic relationship, influencing one another even more in an era when titles like “The Last of Us” and “Fallout” have become critical darlings in multiple forms. What’s even more entertaining for lovers of film and games is when the influences aren’t quite as direct as the art

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Movie Reviews

USA’s “The Rainmaker” is a Traditional TV Legal Drama | TV/Streaming

To vibe with “The Rainmaker,” you first have to be down with its network, USA. The basic cable standard is not known for its cutting-edge or award-winning content (like, say, FX). But it has produced a reliable stable of procedurals, audience favorites, and even some cultural moments (see “Suits”). The USA Network certainly has its

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Movie Reviews

FX’s “Alien: Earth” Shatters Already High Expectations | TV/Streaming

Each episode of Noah Hawley’s brilliant “Alien: Earth” opens with what could be called an overture. As the title takes shape (much like the original, groundbreaking Ridley Scott film), images flash across the screen as a sort of twisted “Previously On.” But they also sometimes contain new data, much like a composer integrating previous themes

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Movie Reviews

Josh Larsen on the Return of Cinema Interruptus | MZS

For many years, Roger Ebert hosted an annual event at the Conference on World Affairs in Boulder, Colorado, called Cinema Interruptus. It was spread out over four days. On day one, the audience would watch a movie together in the usual way. Over the next three consecutive days, they would meet again and do a

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Movie Reviews

Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us” | Interviews

Filmed in the wake of a revolution that gave way to a military coup, Hind Meddeb’s powerfully poetic documentary “Sudan, Remember Us” introduces to the world a generation of Sudanese activists, street poets, and ordinary people who are determined to fight for their freedom no matter what. This includes the film’s protagonists—Shajane, Maha, Muzamil, Khatab—and

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Movie Reviews

San Diego Comic-Con 2025: Aliens and Activations | Festivals & Awards

When I first attended SDCC, I was a fan, but I hadn’t joined cosplay fandom. This year, inspired by a sale at Her Universe, I bought two Star Trek dresses that I fitted down several sizes to wear on Wednesday and Friday. On Sunday morning, I was finishing up three costumes to celebrate a new

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Movie Reviews

Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen | TV/Streaming

Like many good stories, Apple TV+’s new historical drama “Chief of War” begins with an ancient prophecy: “A Star with a Feathered Cape will signal the rise of a great King, who will unite the kingdoms and end the age of war.” Taking place in the late 18th century, when the land that is presently

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Movie Reviews

The Unloved, Part 139: “Wild Card”

Simon West auteurism is not for the faint of heart. Unlike Joseph H. Lewis or Phil Karlsen, his compromised studio work has less of a moral component and much more to do with what he can get away with in a lowdown, agreeably grotesque and decent-looking package. Whereas the journeymen of yesterday were placed in

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