At its heart, Marvel’s Eternals is a big candy-colored monster movie. It plays like a mashup of The Blues Brothers and A Quiet Place. A group of celestial super beings must get the band back together to save Earth, fighting sharp-toothed creatures all along the way. Some Marvel fans have painted this latest MCU adventure

Last month, when 1091 Pictures released their trailer for Electric Jesus, the title alone made me push play. It transports you back to the summer of 1986, and it’s does it well, warts and all. We’re introduced to a group of young men with two things in common, their love of metal and Jesus. Their

Tom Hanks never fails to impress as a one-man survivalist. This time around he’s not trapped on a deserted Pacific island, a la Cast Away; but on an epic, post-apocalypse road trip with truly unique companions. Finch is the story of an engineer’s quest to save his beloved dog in the horrific aftermath of a

Old West outlaws riddle each other with bullets, beatdowns, and snappy one-liners in a highly stylized Afrocentric actioner. The Harder They Fall is a bloody revenge western with a star-studded cast of Hollywood’s elite black actors. The film gives every character a chance to shine, but comes up short in establishing a substantive narrative. The

Ludwig Dieter, the hilariously peculiar German safecracker from Army of the Dead, gets a winning origin story in the nascent stage of the zombie apocalypse. Army of Thieves is a heist themed prequel that’s thankfully more action-comedy than blood and guts. Where a gang of intrepid criminals recruit a talented novice for a near impossible

The Marvel Cinematic Universe wades chin deep into a soap opera river of melodramatic tears. Eternals has a “family” of superheroes torn between love, loyalty, and duty in the latest save the world scenario. Oscar winning director Chloé Zhao treads sappy with a convoluted and drawn out exploration of relationships. She does deliver a few

Antlers is a deeply atmospheric monster film that fails at the most important tenet of the horror genre. It’s not scary at all. Every fright is broadcast from a mile away. The characters behave irrationally in dangerous situations. There’s never a doubt about the outcome. It follows the standard tropes audiences have seen a million

Wes Anderson continues to delight with brilliantly artistic and eccentric filmmaking. The French Dispatch is a cinematic valentine to journalism, French culture, and the eloquent sophistication of The New Yorker magazine. Anderson returns an elite ensemble cast of supporting players with venerated new additions taking the lead roles. His ultra-stylized approach veers into indulgence. Which

From National Geographic, Becoming Cousteau is a documentary that explores the life of French oceanographer Jacques Cousteau, who invented diving and scuba devices, including the Aqualung breathing device. He is perhaps best remembered for his TV series Underwater World of Jacque Cousteau, which was the inspiration for the 20,000 Leagues Under the Sea 1954 Disney

It’s no more mister nice guy as the Man of Steel drops the kid gloves and unleashes his wrath on Earth’s evil-doers. Injustice is an animated adaptation of the wildly popular, cross-platform video game fighting series. The plot takes place in an alternate reality where the heinous Joker (Kevin Pollak) pushes Superman (Justin Hartley) to