Australian filmmaker James Wan needs no introduction. Since directing Saw and its super successful sequels, he’s played a directing or producing role in

Many may know the name Shane Gillis from 2019’s Saturday Night Live controversy, when it was announced the stand-up comedian would be joining

Director Joe Carnahan and a cast of grizzled action veterans deliver a bullet-ridden tale of bloody betrayal. Copshop takes place in the police

Mary Elizabeth Winstead pops Yakuza skulls like bubble wrap in an action-packed, but underwhelming thriller. Kate has an elite assassin plowing through organized

Coupon clipping leads to multimillion-dollar fraud in a funnier than expected ensemble comedy with a lot of heart. Loosely based on a true

Guy Pearce searches for a wealthy mogul’s missing daughter in a city of android slaves. Zone 414 is set in a near dystopian

Yakuza Princess goes for the jugular with visceral katana-slicing action, but unfortunately gets bogged down by sluggish pacing. Adapted from the graphic novel

Ben Wheatley’s low-budget, hallucinatory mishmash horror In The Earth poses promising terror, following a scientist and park ranger as they venture deep into

Nia DaCosta reboots Candyman as a preachy, arthouse sermon on racial injustice and police brutality. The film is shot in an interesting way,

Shang-Chi and the Legend of the Ten Rings is a stunning martial arts epic. Director Destin Daniel Cretton has delivered an intimate story