Hulu’s “Alice & Steve” is wild, uneven, very funny, and surprisingly insightful, even if it’s the kind of show you think you might hate. The first episode establishes the premise: Alice (Nicola Walker) and Steve (Jemaine Clement) are longtime friends now in their fifties. He’s recently divorced, and she’s married with two kids, one in

It finally happened. “Interview with the Vampire” has become “The Vampire Lestat.” Season three of the AMC series goes wild with a full transformation into the long-awaited, much-anticipated adaptation of the second book in The Vampire Chronicles by Anne Rice. Books 1 and 2 have seen feature film renditions, but no one knew how to

A celebratory Karlovy Vary International Film Festival revealed its competition lineups on Tuesday. The 60th edition, which will commemorate the 80-year anniversary of the festival’s founding, features a dozen world premieres competing for the Crystal Globe and another dozen films bowing in Proxima–including cinema hailing from Colombia and Myanmar.    The Czech fest, located in a

The hangout sitcom has a few, set-in-stone principles: an attractive, charming cast, struggling to balance the demands of work and love, wrangling an array of neuroses and errors of judgment. When their professional and personal worlds begin to overlap, the narrative ought to become funnier and deeper. Unfortunately, “Not Suitable for Work,” like creator Mindy

Having just come off the set of a movie and renewed my appreciation for accidents, deadlines, compromises, and heartbreak, I thought I’d look back at the work of the much-missed Lynn Shelton, one of the finest unsung American romantic directors. Shelton decided, sadly, what turned out to be more than halfway through her life, that

In the wake of five seasons of “For All Mankind“‘s alt-history time-jumping—currently, we’re in an alternate 2012 where we’ve colonized Mars, and a still-alive John Lennon teamed up with Jay-Z to produced “The Grey Album”—it’s easy to forget the show started as a simple 1960s period piece, with a twist: What if the Russians got

As excited as I was for the Cannes films in the Main Competition, I always look forward to the sidebar sections with just as much, if not more, anticipation. “The Chronology of Water,” “My Father’s Shadow,” “Pillion,” and “Urchin” all premiered in Un Certain Regard last year, while Critics’ Week was the home of “A

A tender, sensitively observed first feature from Norway’s Eivind Landsvik, “Low Expectations” makes its home in the same Oslo where Joachim Trier and Dag Johan Haugerud set their quiet, introspective films. There’s a dreamily diffuse quality to the Nordic capital that befits the strain of empathetic naturalism that’s emanated of late from the country’s cinema.

Each night, in a small Nepalese village nestled in a deep forest, the community carries torches between the trees to ward off wild elephants that would otherwise rampage through farmers’ crops. At once a time-honored ritual and a practical responsibility, this custom embodies the complex, often painful collisions between past and present that constitute everyday

“Fjord,” Cristian Mungiu’s drama about a Romanian family that is targeted by child services in Norway, won the Palme d’Or at the 79th Cannes Film Festival. It was a second Palme for Mungiu, who took the prize in 2007 for “4 Months, 3 Weeks, and 2 Days.” The jury president, Park Chan-wook, said he had