Directed by Charles Pelletier, the short comedy film Driverless could make up for a good time if you just let yourself go of pretenses and enjoy a situational comedy. The acting is amateurish, the editing is out of pace, but all in all, the script is good enough to make you laugh a few times.

The man in question is Harry Turner, an Englishman in his early twenties who was deployed to Afghanistan when he was 18 years old and emerged from his tour of duty with burn marks on his arms and severe PTSD. Such extreme trauma requires an extreme solution, and so Harry travels literally to the other

Then again, not everything is as awful as Otto makes them out to be. And he could perhaps afford to have some manners himself, especially when a new, very pregnant neighbor drops by with a bowl of home-cooked meal as a courtesy. If you’ve already seen 2015’s Oscar-nominated Swedish hit “A Man Called Ove” by

Most editor-writer relationships don’t make headlines, the way Lish and Carver’s did. But there are other famous partnerships – like Maxwell Perkins and F. Scott Fitzgerald – where the editor plays such an important role they can’t just be relegated to the background. Ezra Pound didn’t “edit” T.S. Eliot’s “The Waste Land” so much as

Without spoiling the final act completely, it re-centers the Gladneys back at home, but with death a much more present reality in Jack’s mind. Unfortunately, as the intensity rises, “White Noise” loses some of its impact, especially in a few talky scenes near the end that betray the tone of the first half. Yes, the