The two-hander is an elegant structure for a lower-budget effort: Just plop two characters together, often in a single location, and let the actors’ performances and the innate tension of the scenario play itself out. It’s a very genre-flexible conceit, malleable enough to fit everything from murderous chamber piece to yakuza thriller to pitch-black tragicomedies starring

Maybe we’re not supposed to think that the verbal combatants standing at those lecterns are as profound as they think they are? That’s a more charitable reading. Another is that the main event onstage is a pretext to externalize what happens internally when accomplished, ego-driven people get stuck under a spotlight while coping with intensely

The movie, written and directed by Levan Akin, begins in the messy, tumultuous house where Achi, a young man who’s for all intents and purposes still a boy, lives miserably under the thumb of his older brother. Lia happens by the house, is recognized by one of its residents, and on the spot Achi concocts

Angela Nikolau and Ivan Beerkus are Russians who were both captivated by the idea of “rooftoping,” an international fad along the lines of the 1920s flagpole sitters, only hundreds of feet higher, with an infinitely larger audience, and immeasurably more dangerous. Unlike the legendary comment made by George Leigh Mallory, when asked why he wanted to

In “Customs Frontline,” Tse plays Chow Ching-lai, a frustrated but loyal Customs Department officer on the trail of the mysterious Dr. Raw (Amanda Strang), a well-connected arms dealer smuggling guns and other weapons through Hong Kong. Chow wants to nab Dr. Raw for personal reasons that coincide with his professional responsibilities since Raw’s operation was

When you made “Twister,” how concerned were you about the science being accurate? You didn’t stress out about that since you wanted to create a fun, escapist summer movie. It is supposed to be fun, absolutely. But viewers have seen tornadoes on TV, so I felt that I have to make them look real. Otherwise,

After the hotel’s bartender slides her a flyer for a South Dakota biker rally/music festival, Dandelion takes the leap. There, she meets Scottish musician Casey (Thomas Doherty), a quiet, brooding type, who introduces her to his group of friends. Now working “in sales” (infamously every creative person’s dreaded title), Casey feels that his best musical

In that, this new Sisi film (co-written by Finsterwalder and Christian Kracht) shares a great deal with “Corsage.” For starters, it is also wall-to-wall anachronisms, from its intentionally feminine-forward contemporary soundtrack to Helga Lohninger’s gorgeous costuming—not always accurate to period, but with something purposeful to say about both the past and our present time like