Movie Reviews
Movie Reviews

Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains   | TV/Streaming

Apple TV+’s new series “Your Friends and Neighbors” opens with the image of its protagonist, Andrew Cooper (Jon Hamm), laid out in a pool of blood. It’s not his own, though: it belongs to the body of an unknown man, whose corpse Cooper walked in on when he was attempting to steal from his house.

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Movie Reviews

Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival | Ebertfest

CHAMPAIGN, IL (April 1, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the final three films screening at this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign: Francis Ford Coppola’s MEGALOPOLIS Walter Salles’ Academy Award®-winning I’M STILL HERE Lotte Reiniger’s THE ADVENTURES OF PRINCE ACHMED  Coppola will participate

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Movie Reviews

The Unloved, Part 135: Adoration | MZS

The untempered version of world events right now: Things are not getting better. There’s no opposition coming, there’s no reckoning on the way, there is no stopping the free fall. And art is not going to save us. I don’t have much use for the untempered version, even if, on my worst days, I believe it. So,

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Movie Reviews

Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand” | TV/Streaming

I’ll admit to entering “MobLand” with some hesitation. Paramount+ has wasted no time becoming the hub for what could be called “Dad TV,” mostly by Taylor Sheridan, but not exclusively, and I haven’t been the biggest fan of most of it. It’s really an extension of the fact that network partner CBS has had the

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Movie Reviews

Female Filmmakers in Focus: Fleur Fortuné on “The Assessment” | Interviews

Set in a future world where no one ages, there are no animals and precious few plants, Fleur Fortuné’s dystopian sci-fi drama “The Assessment” follows isolated scientists Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) as they endure an arduous, week-long, and ultimately absurd government-mandated test, led by the wildly unpredictable assessor Virginia (Alicia Vikander), designed

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Movie Reviews

Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery | TV/Streaming

Here’s how you know you’re having a bad night: Your boss dies under questionable circumstances during a State Dinner at the White House, and everyone around you is certifiably out of their minds. The President and his family: unhinged. The President’s unelected advisor: vain and shady. The staff: suspicious. The Australian contingent, including rumors of

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Movie Reviews

SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka | Festivals & Awards

Annapurna Sriram’s feature debut “Fu*cktoys,” about a sex worker earning a living while undoing a curse, is farce, psychodrama, theological inquiry, softcore, satire, and tragedy, all at the same time. And in an era when nearly everyone has gone digital, it’s been shot on 16mm color film by Cory Fraiman-Lott (another name film buffs should

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Movie Reviews

Age Has No Expiration When It Comes to Talent | Features

Women over 50 years young are mad as hell and not taking it anymore. They are tired of being sidelined. They are creating scripts and roles for themselves that allow them to be portrayed as smart, sexy, viable human beings, ones that aren’t sitting at home knitting just because they clicked over into the AARP

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Movie Reviews

Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures | Interviews

On Fri. Jan. 20, 1961, CBS aired the first and only episode of a new game show, “You’re in the Picture.” A week later, the ill-fated show’s host, Jackie Gleason, in an extraordinary post-mortem, explained to viewers “how it was possible for a group of trained people to put on so big a flop.” Show

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Movie Reviews

SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender | Festivals & Awards

Horror is a big part of Austin, Texas. It’s not just the wonderful Fantastic Fest that unfolds every September, but the genre has been a major part of every SXSW I’ve ever attended. Even the Headliners here have an adults-only edge to them from the gore of “Death of a Unicorn” to the murderous betrayals

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