Movie Reviews
Movie Reviews

Our Minds Have Been Colonized: Ari Aster on “Eddington” | Interviews

It may be about time, or perhaps far too soon, to craft a movie that explores the realities of living through Summer 2020. Regardless, director Ari Aster’s pugnacious and genre-pliant “Eddington” is here, and it offers up the best approximation of the unique hell of that time.  Bristling with natural ease, Joaquin Phoenix plays Joe

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Movie Reviews

KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy | Festivals & Awards

At the Karlovy Vary International Film Festival, no honorary award is more prestigious than the Crystal Globe for Outstanding Artistic Contribution to World Cinema, bestowed annually on an individual who has made significant contributions to the art of filmmaking.  Stellan Skarsgård, who received the Crystal Globe at this year’s festival, most certainly fits that description,

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Movie Reviews

Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival | Festivals & Awards

The world’s largest genre film festival, Montreal’s Fantasia International Film Festival is one of the most exciting, not to mention lengthy (it typically runs two, sometimes nearly three weeks), fests in the calendar year. It’s one of my favorites, despite (or perhaps because) of the relative obscurity of its catalog: Here is where you get

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Movie Reviews

KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women | Festivals & Awards

Of the films competing for the Crystal Globe at the 59th Karlovy Vary International Film Festival, only one—Soheil Beiraghi’s “Bidad,” the title of which translates to “Outcry”—was kept secret until shortly before the start of the festival.  That’s because Beiraghi’s independently produced fourth feature, about an aspiring singer who defies a government ban prohibiting women

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Movie Reviews

From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases | TV/Streaming

The opening of “Ballard” drops us into the action, calling to mind the brooding in medias res that kicked off the hit Idris Elba series “Luther.” Detective Renée Ballard (Maggie Q) is at the tail end of a grueling case, already at odds with her colleagues over her refusal to back down or be silenced.

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Movie Reviews

A Chicago Star: A Conversation with Michael Madsen | Interviews

Ed. Note: This interview was originally published on MovieMom.com in April 2012 and is being republished here in honor of Michael Madsen. Michael Madsen is a favorite actor of writer/director Quentin Tarantino (Reservoir Dogs, Kill Bill: Volume One). He appeared in Thelma & Louise and on the television series “24.” And he is a published poet, about to release his

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Movie Reviews

What to Watch on Netflix: July 2025 | TV/Streaming

The temperatures are rising, which means it’s time to stay indoors and watch a movie! (Or the last season of “Squid Game,” I guess.) When you’ve worked your way through this list of the best TV shows so far this year, or if you just want to watch a movie, come back to this list

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Movie Reviews

Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season  | TV/Streaming

Season 1 of Netflix’s adaptation of Neil Gaiman’s “The Sandman” ended with Dream (Tom Sturridge) finally apprehending The Corinthian (Boyd Holbrook) and reasserting control over The Dreaming. With the Dream Vortex—a rare and catastrophic disturbance in the fabric of The Dreaming—stabilized, the collapse of the barriers between the dreaming and waking worlds was prevented. Just

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Movie Reviews

Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2” | Interviews

Five years ago, filmmaker Gina Prince-Bythewood broke Hollywood ground when she directed “The Old Guard” for Netflix, becoming the first Black woman to direct a big-budget film adapted from a comic book or graphic novel. She passes the baton to Victoria Mahoney for “The Old Guard 2,” the next installment in the film series inspired

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Movie Reviews

The Unloved, Part 138: Rebel Moon | MZS

As with Michael Bay, I was waiting (if not patiently) for the day Zack Snyder produced something I found essential, and even when it finally happened, it took a while to stagger out. Early reviews of his two-part, Hard R-rated “Star Wars” riff “Rebel Moon” weren’t kind, but rumours of an even more explicit director’s

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