Benson and Randy are incredibly striking contrasts as these nightmarish characters, intriguing conceits of this Blumhouse project not sticking to the rules in part because it’s going straight to the modern grindhouses of streaming anyway. Much of the movie relies on their odd pairing after such an abhorrent opening scene and in place of any greater

As for the graphics—everything you see on the center console screen is made from scratch by the incomparable Greg Herman, a Creative Director, Director, Writer, designer, and animation/VFX wizard. This includes the visualization of the car’s “voice.” He approached the car’s “voice” graphic as though it were some kind of digital mandala, a shifting and

Buy it here  Special FeaturesNone Now streaming on: “Breathless” (Criterion) I recently discussed the “gateway” films for young viewers to discover the most influential filmmakers of all time. What’s the first Hitchcock you show someone? The first Scorsese? The first Varda? I think the first Godard might be “Breathless” (or maybe “Band of Outsiders”) as

Co-written by Kargman and William Day Frank, “Susie Searches” starts strong but loses its way after our heroine solves her biggest case yet: the disappearance of local campus heartthrob Jesse Wilcox (Alex Wolff), a meditation YouTube star whose good looks and kind words make him a favorite of just about everyone he meets. Before the

Thankfully, co-writer/director Rodrigo Sorogoyen’s focus on Antoine and Xan’s emotionally charged stalemate keeps “The Beasts” from devolving into yet another quasi-artful and pseudo-moral genre movie that pits intolerant bumpkins against ignorant city-slickers. Mood trumps morality in “The Beasts,” partly because Sorogoyen, in collaboration with director of photography Alejandro de Pablo, art director Jose Tirado, and

The real draw of a new season of “Futurama” is the return of beloved characters and the performers who voice them. Billy West, Katey Sagal, John DiMaggio, Phil LaMarr, and Lauren Tom are back. And not only does the voice work feel entirely of a piece with where the show was at in the 2000s

It takes time for “While We Watched” to find momentum: Shukla’s vérité approach spends the first half hour or so notating the broad problem. What follows is a series of blaring clips of blustering Indian anchors vying for the public’s attention by offering up polarizing red meat. For them, that amounts to denouncing any dissenter

With “Fear the Night,” LaBute clearly aims to push viewers’ buttons, especially using the oft-repeated threat of sexual violence. Some dramatic irony mildly re-casts the movie’s otherwise formulaic conflict in a harsher light, but not much gets complicated by this extra knowledge, especially not LaBute’s tin-eared dialogue nor his indifferent direction. In theory, Tess and

AR: I think the best comedy is born out of reality, and there is a lot of reality in the movie in the sense that everyone has had a really, really bad night. This might be the worst night that you ever had, but it was never played for comedy. It was played for realism

Remi’s feelings about making a zombie movie are quickly sublimated into the process of making a zombie movie. He paces up and down naturally lit hallways and staircases, either fills in or delegates last-minute problem-solving, and generally tries to keep everybody happy. He especially wants to please his wife and daughter Romy (Simone Hazanavicius, the