At the same time that I wanted my MTV in the ‘80s and ‘90s, I was also a movie-obsessed teenager who practically lived at the multiplex. The movie theater was my home away from home. I’d go see anything that piqued my interest. I routinely watched coming attraction trailers before the main event got underway.

In the script from Kristen Lazarian and Paulina Lagudi Ulrich, the fisherman, João, has suffered a devastating loss at the beginning of the film, making the surprising arrival of the penguin that much more poignant. Jean Reno gives a vulnerable, moving performance as João, a simple man broken by tragedy transformed by the thrill of this unexpected connection. He shows great range here, from sorrow to joy to an impish sense

Beth’s a breast cancer survivor, and Jay doesn’t really know how to talk with her about what she went through. She’s also plagued by nightmarish, PTSD-style images of her body rebelling against her, either during or following a traumatic medical procedure. Jay clearly wants to make Beth feel seen and appreciated but doesn’t seem to

Hunter, your character’s weapon of choice by the film’s end isn’t a gun but a butterfly knife. I love how you play an unconventional “scream queen” in that you have to survive with a lot of restrictions … you really just have your knife, sling, and iPod to fight with. Was there a skill that

The remarkably boring Charlotte Kirk plays Scarlett Monaghan, a woman approached by a suave gentleman named Robert McNaughton (Philip Winchester) while out with her deadly dull boyfriend at the club one night. Robert and Scarlett have instant chemistry, so they pretty quickly dispatch with Mr. Wrong and begin a steamy affair before Scarlett discovers how

The conundrums of life are given a rather more conventional depiction in this fictional biographical film, directed by James Marsh, whose reductive work on Stephen Hawking in his 2014 “The Theory of Everything” doesn’t exactly give one hope that he’ll do Beckett justice. Shot in black-and-white, the movie almost giddily partakes in components that Beckett’s