I’m sure it took a herculean amount of effort to put this new series together, and MoMA curators La Frances Hui and Josh Siegel and guest curator Ehsan Khoshbakht are to be thanked for their work in unveiling an era of cinema that has been too long hidden. A Bit of Back Story: Beginnings I

Soon enough, it’s ten years later. A title places us in Gearrannan Village, and the little dreamer, Kirsty, has grown into a fine lass who’s still keen on getting the heck out. “I want more than planting potatoes and working the same land as my mum and da,” she declares. All the green grass and

The concept of “John Carpenter’s Suburban Screams” is fundamentally flawed in that these six “true tales of terror” have no real connection other than playing out like disturbing anecdotes you hear at the bar. The vague connective tissue is that each episode is a “true” story told by an interview subject. But they blend supernatural,

Although they can both technically do this job and are equally committed to doing the work, it’s clear early on that her instincts, coupled with her work ethic, make her a better employee. And yet Luke clings to a sense of entitlement as if he’s owed this job and this life because he’s wanted it so badly

After the antique store closes for good, Farrier makes a big mistake and takes the broken, discarded sign from the shop as a souvenir. He’s then sued by Michael and Jillian, and before he can appear in court and give it back, the sign is stolen from under his house. Farrier goes to court six hours away, is

Peter Dinklage is brilliant as Steven, imperious and vulnerable. He is a once-successful opera composer struggling with a massive writer’s block as his deadline looms and his librettist quits in frustration. Steven is married to Patricia (Anne Hathaway), a therapist whose favorite activity is intensive house cleaning and who likes to imagine, in sessions with patients, scrubbing