Sometimes the movie’s tendency of favoring movie clips and bombastic soundbites doesn’t really matter since the juxtaposition of so many clashing personalities still creates its own lunatic harmony. In the movie’s most disarming and logic-frying transition, we jump from fellow New German Cinema filmmaker Wim Wenders, who seems to be on to something when he

Nobody speaks a full word of written dialogue. Characters grunt when they crash against a wall, get punched in the gut, or are struck by a car. They gasp or scream when they’re shot or tortured. You hear sound effects and soundscape noises throughout, such as wind, rain, footsteps, and traffic. There are pop songs with lyrics on the soundtrack, interspersed with

The Chopin Competition takes place over 21 grueling days, and Piatek effectively compresses the stress and stamina of those hours into about 90 minutes of runtime. The pacing of “Pianoforte” hops and skips between quick cutting montages of the pianists in performance, their fingers expertly and vigorously striking keys, music thunderously occupying the sequences, and

And here’s where things get tricky. The launch maps rule. Certainly more than the launch maps for the last two releases. They’re classics for a reason, and the biggest problem with the multiplayer offerings in recent “CoD” editions has been map design. So, yes, it’s all overly familiar and over-priced, but it’s also a better