Liman did it again with “Mr. & Mrs. Smith,” which was a massive hit, no matter the anxieties he caused the studio. In that L.A. Times piece, Liman didn’t take too kindly to being told that Goldsman had called him a madman, although he did admit, “I’m an unusual person … [but] the movie I

“Do Not Expect…” culminates in a masterfully executed sequence that distills the film’s themes into a single, unbroken shot—ostensibly the raw footage from the PSA—where a poor family is manipulated into undermining their own interests in bleakly funny fashion. The road there is full of small indignities and absurd ironies, peppered with pop-culture references (including

Circular and repetitive at times, Shatner nonetheless expresses himself with all the self-effacing honesty of a troubadour. Sure, his ramblings wander aimlessly in moments, particularly when musing on spirituality and philosophy. He’ll lope from reflections on his childhood, a youth marred with deceased pets and an emotionally unavailable mother, to quoting Chekov’s “The Seagull” when

Director Greg Kwedar and his co-writer Clint Bentley adapted the script from John H. Richardson’s 2005 Esquire article “The Sing-Sing Follies” and added embellishments, many devised by the cast, drawing on their own experiences. It was shot at Sing Sing and in a variety of other locations standing in for Sing Sing, including a decommissioned

That film is David Altrogge’s “Clemente,” a loving ode to one of the most impressive and important athletes of all time. Robert Clemente was the first Latin-American to win an MVP, a World Series MVP, and be inducted into the Baseball Hall of Fame. He shattered the color barrier in a way that still resonates